* plastic hair (プラスティック・チューブ)
1/4 HEAD ¥27,000
1/2 HEAD ¥45,000
3/4 HEAD ¥65,000
FULL HEAD ¥75,000

* monofiber (ファイバーヘア)
1/4 HEAD ¥16,000
1/2 HEAD ¥35,000
3/4 HEAD ¥50,000
FULL HEAD ¥60,000

* human hair (人毛)
1/4 HEAD ¥20,000
1/2 HEAD ¥40,000
3/4 HEAD ¥55,000
FULL HEAD ¥65,000

* dreadlocks (ドレッド)
1/4 HEAD ¥25,000
1/2 HEAD ¥40,000
3/4 HEAD ¥60,000
FULL HEAD ¥70,000

* braids (ブレーズ)
1/4 HEAD ¥25,000
1/2 HEAD ¥40,000
3/4 HEAD ¥60,000
FULL HEAD ¥70,000

* special materials / 違うものをつけたい方(持込可)
1時間 ¥8,000
* natural dreadlocks / 地毛をドレッドにしたい方
1時間 ¥7,000
* wigs and hairpieces made to order / カスタムメードのウィッグ・ヘアピース
*イギリスの人気ヘアマニキュア剤「DIRECTIONS」の取扱店です。 詳しくはお電話下さい。
1個 - ¥1,575(税込)

* カット
¥5,000~

* カラー
¥5,000~

* セット
¥3,000~
髪の毛は人それぞれ違うので、上記の値段はあくまで参考価格です。

A situation in a country, an organization, etc.
in which there is no government, order or control.

1972年、A[Anarchy]のボス、カズは米軍占領下の沖縄に生まれた。 学校など規則の中で生活することが何よりも嫌いだったカズは、 16歳のとき美容師になるべく単身名古屋へ。当時の知人、友人達は皆は カズの名古屋での新生活は1週間と続くことはないだろうと読んでいたが、そんな周囲の思いとは裏腹にカズは名古屋で美容師という仕事に、 そしてこの地で見つけたパンクミュージックシーンに7年間もの間めり込むことになる。当時絶大なカリスマ性を誇っていた。

TheSexPistolsやLaughin’ Noseは音楽面だけでなく 彼自身の個性をも形成した。流行や規則など関係ない。自分自身がルールなのだと。
そしてロンドンのクラブシーンが正にピークを迎える1996年、 カズは名古屋を離れ再び新天地を求め単身ロンドンへ渡る。 1999年夏、今までにないアーティスティックなヘア・エクステンション分野を作り上げた中期pepi’sのコアメンバーの2人と運命的な出会いを果たす。 相変わらず英語が喋れないにも関わらず、カズは世の定石に関係ないヘア・アーティストとしてpepi’sのコアメンバーに加わる。

pepi’sは当時ロンドン、東京のサイバーファッションシーンの一大要素でもあったプラスチックエクステンションの先駆者だった。ロンドンのお店を中心に、東京など世界各地に小さな支店を出してはその土地土地で多くの美容師達を驚かせてきたpepi’sであったが、そんな彼らの作品に見られるようなヘア・アートに対する特別な思いは誰にも真似でき得ないものだった。彼らpepi’sメンバーの作品は彼らでしか有り得ないとよくわかっているファッションに敏感な人々は、ヨーロッパから、アメリカから、そして日本からわざわざ ロンドンまでエクステンション目あてに来ていた程だった。

過去にヘア・デザイナーとして、Pantene Beauty Awards、London Fashion Week、 the Burning Man Festival in United Statesなどのビッグイベントをはじめ、 多くのTorture Gardenに参加。またカズのロンドン時代のお客さんのファッションスタイル はCamden Townのロックっ子、サイバーっ子から著名なファッションデザイナー、ミュージシャン、 DJまで多岐に渡っていた。最近では世界的なHard Dance DJ、Yoji Biomehanikaのヘア・デザインを行っていることは 特に有名な話である。そしてPepi’sでの6年間を経て、カズは今ここ東京で新しい彼自身の人生の1ページを始める…

A situation in a country, an organization, etc.in which there is no government, order or control.

kazu

Born in 1972 in heavily military-occupied Okinawa, Kazu was never one to follow rules.  Hating school, he left alone for Nagoya at 16 to become a hairdresser.  Everyone thought he wouldn’t last a week away, so instead he stayed there for 7 years working as a hairdresser and falling into the rampant Nagoya punk scene.

The Sex Pistols and LAUGHIN’NOSE were huge musical influences who brought out aspects of Kazu’s personality and style that made him stand apart from a sometimes closed-minded shapeless society.

Fuck trends. Fuck rules. Make your own rules and create something that goes against the grain.

That’s exactly what Kazu ended up doing after again packing up and leaving for London on his own in 1996.  Kazu hit London when its club scene was at its peak and in Summer of 1999 met two people in the midst of creating PEPI’S a hairdressing team creating hair extensions with materials never used before.  Even though he couldn’t speak English Kazu became a core member of a group who like him didn’t care about society do’s and don’ts and created their work with no rules restrictions or basis in reality.  PEPI’S were the pioneers of plastic tubing extensions which have been a key element in the style of the London and Tokyo cyber scene.  Based in London and previously having an additional shop in Tokyo many hairdressers have attempted to imitate the styles that PEPI’S created, but what cannot be reproduced is the way of thinking that is shown through PEPI’S and Kazu’s work.  Hair extensions aren’t just the materials they’re made with and Kazu’s clients flew to London from Europe, the United States, and Japan because they knew they couldn’t re-create his work anywhere else.

Kazu has taken part in many projects including styling for the Pantene Beauty Awards, London Fashion Week, the Burning Man festival in the United States and many Torture Garden fashion shows and events. His clients have included a wide spectrum of different people and styles ranging from Camden Town cyber punk and rockabilly boys and girls to famous fashion designers musicians and DJs.A very loyal client and collaborator is YOJI BIOMEHANIKA who has been enlisting Kazu’s talent to create his hair extensions for several years.  After working with PEPI’S for 6 years Kazu has brought himself to Tokyo. Tokyo has introduced a new breed of clientele, including visual kei team LM.c, shock performers TOKYO SHOCK BOYS, the staff and performers of Tokyo Decadance, and loyal clients spanning from Hokkaido to Okinawa.  Where he goes from here shall be an entirely new story in itself.

kaytea

Kaytea first met the Pepi’s team as a client in 1999, when she moved to London at 16.  Having seen one photograph of a hairstyle Pepi’s had created, she came to London with one mission: not to figure out her neighbourhood, but how to find their shop.  Although she is sometimes referred to as ‘the biggest pain of a client’ the staff had to endure, her lust for new and outrageous styles became a trademark that attracted the attention of make-up artists, musicians, and photographers.  Even after her initial move to Tokyo on her own, she would still routinely fly back through London every three months to get new extensions.  Obviously, she knew she could only trust Pepi’s when it came to handling her hair.

Kaytea previously worked as a photographer and musician in Tokyo, playing bass in a now-major label band, along with writing lyrics and photographing for bands like Camino Project, and lending her vocals to visual kei’s Godfathers, AION.  Her photographic work has been featured in Fool’s Mate, Japan’s biggest underground rock magazine, and meanwhile she began climbing the ladder of Japan’s notoriously-strict hairdressing world, learning the strict heirarchy of the ’service industry’ that makes up Japan’s hair salons while being paid three times the amount Japanese stylists were just for being caucasian and outrageous-looking.

Once back in London, Kaytea began working as a temporary assistant stylist at Pepi’s when the shop was short of staff, and assisted Kazu in the midst of dust storms and blackouts in the Nevada desert at the Burning Man festival.  For Kaytea, switching positions from client to stylist was a feat full of challenges, but it proved to be her true passion, so she dropped her band just before major debut and dedicated herself to learning the ropes of hair creation from one of her biggest mentors, Kazu.

While many challenges still lie ahead, Kaytea found her niche as a creator of hairpieces and accessories, taking charge of the artistic direction for [a]narchy’s previous collaboration with Tokyo brand Takuya Angel, combining futuristic materials with traditional Japanese items, which took off by storm among the youth of Harajuku.

Kaytea’s artistic direction and Kazu’s skills combined make up the team that is [a]narchy.  Together they aim to change Japan’s view of hair extensions, in a society where only the youth, unemployed, and entertainers were allowed to have freedom when it came to their looks.  Thanks to their clientele and the worldwide base of supporters who have helped them push the envelope for the past three years, they may eventually be able to accomplish that goal.